Article Distribution
Roller Derby was never really a big deal in the US, but has been around forever and was a staple of the early days of television. It was similar in its promotional format to its better known “sports entertainment” cousin, professional wrestling. It was frequently seen in the same bad timeslots on the same low powered UHF TV stations, and it was run by the same loose confederation of promoters and businessmen that characterized the regional territory era of pro wrestling. That’s where the similarity to wrestling ends–it’s storylines made pro wrestling angles look like high drama. While there is a definite history to the sport–great teams like the LA T-Birds and Bay Bombers, and legendary skaters like Ann Calvello it never really stuck in the public consciousness like the pre-Hulk Hogan era of pro wrestling.
When Milton Berle died in 2002, few of the media that reported on his passing even began to fathom the enormity of his impact. In most publications, Berle received less ink than British comedy actor Dudley Moore and director Billy Wilder. While both men were certainly talented and worthy of eulogizing, to suggest that they left a legacy even comparable to Berle’s is absurd and demonstrates a complete ignorance of entertainment history.
Today, the Comedy Story sits on the same spot and has for over twenty years. In it’s earlier incarnation it was Ciro’s, and it was for a time the center of the entertainment universe.